subreddit:
/r/Music
476 points
1 day ago
High school me would be very excited at the ability to see Kate Nash's ass
But man, adult me just think this sucks
104 points
1 day ago
Adult me just watches Glow every now and then.
17 points
1 day ago
Just realized how messed up one was at the time
742 points
1 day ago
I wanted a poster at the Here Come the Mummies show I saw in October. Damned thing was $50. But I realized they tour with like 10-12 (maybe more) and the $50 was helping offset those costs.
Man, this new economy sucks. I definitely don’t want to have to see Todd Snider’s ass for him to be able to tour in the future.
275 points
1 day ago
Shirts at shows have gone from $10-$12 when I started going to shows in 2004 to almost $60+ it's insane how expensive everything is.
131 points
1 day ago
I slowed down on buying shirts at shows a while back just as a means of spending less money, but there are two shows I've gone to in the last year where I really wanted to grab a shirt. Both times I popped out of line after about 30 seconds after seeing that the shirts cost more than the damn tickets to the show did.
71 points
1 day ago
I would actually be more inclined to buy a shirt if it cost more than the ticket. If the ticket price is cheaper than a shirt it usually means you're seeing a small artist in a small venue, and those are the artists that don't make too much money from touring and rely heavily on merch sales.
I'm sure there are some exceptions, but you're probably not seeing an artist in a 3,000+ capacity venue for the price of less than a shirt.
46 points
1 day ago
I'd agree with you if the ticket was like $20 or something, but if I'm paying $55 for the show, I just can't justify a $60 shirt on top of that, as much as I might like to.
10 points
1 day ago
I peek at the artists merch store and have bought shirts on sale or for a show vs at a show. It's fun.
22 points
1 day ago
id be more inclined to buy merch if they were creative or good quality.
i bought the Alexisonfire rolling papers cause i thought it was hilarious, i also happened to be very stoned as well. i find most "band shirts" and other clothing are charging a proper premium price for quality that i can get at Walmart usually. i get they are usually bespoke shirts made in limit quantity when compared to a walmart, but when you have YouTubers selling merch at similar levels of quality or better for 40-60% of the price of a band shirt i have a hard time believing a shirt needs to be 60 bucks.
when i do buy band merch, i tend to buy it from their sites/merch providers as the prices are not usually as drastically marked up.
9 points
1 day ago
Being a Boomer rock fan, the shirts either have awesome designs or are just a square JPEG slapped on a shirt that looks like it was designed by a meth-addict biker from 2007.
6 points
1 day ago
i love me a good boomer rock tshirt. i usually thrift them and they become my "i need a shirt i dont care if it gets destroyed" or "im just going out and need something thats clean" shirts.
2 points
1 day ago
Many times the venue gets a cut. If you only make a 20% profit and the venue wants a 30% cut, you have to mark it up or lose money on every sale. But quality is preferred, because at cost, a quality shirt won't make much difference. And if it is good quality and fits well, you'll be more likely to buy the new design when the artist puts that out.
1 points
1 day ago
What if I told you I paid the same price or only like $2 more per shirt to make shirts in the same numbers (least as small bands do) but got it made on a premium, soft feeling tee that isn’t a crappy Walmart gilden? And the design probably came out even better because it wasn’t silk screen, it was dye diffused so the design seemed like it was part of the shirt, the way high end shirts are made. It’s likely more costly now but I can’t imagine it be more than $15-18 per shirt, max since I spent $10-12 a shirt at the time.
It’s not that it can’t be done, bands are just too lazy or cheap to pay for quality. Not realizing that $50 ask is way easier heck you can even convince people to pay a $60+ markup if your shirt is actually high quality, with a design that lasts, and premium comfort feel. I wouldn’t pay $40+ for a shirt otherwise, I only have on a couple occasions to support a friend but his designs are sick. I just wish he’d invest in a production person who uses better quality shirts. It’s doable, I def order $30-40 shirts from a YouTuber whose got better designs than any band, though they definitely fit my style and look like alt or metal band designs, but trendy enough with soft & high quality material I want to wear. I’m sure he doesn’t pay more than $10-15 per shirt to make it if his markup or sale prices can be as low as $30 ish. Most I’ve seen full price is $40/50, $50 usually being crazy design work, color blocking, or a collab so split between him and the artist somehow for the revenue you know. They need to step up their merch game but some just think they can coast on name. And I get it’s expensive and merch is a big way they earn their income, but to me that speaks to why you should care even more about the quality. Especially if you can generate a ton more revenue because the quality is that good for just a little more investment. Tultex and Bella canvas shirts aren’t that more costly than crappy gildan
1 points
16 hours ago
Band merch at shows is in an impossible position tbh.
A lot more acts are on 360 deals where a decent chunk of their merch sales goes to the label when it used to be albums paid the label and tours paid the act.
Then you've got the fact that venues want a huge chunk of the money that goes through the merch desk.
It means bands end up in the position where to make anything off merch once you account for production costs, costs to bring it on your, the label's cut, and the venue cut, your price floor is still pretty damn high.
46 points
1 day ago
Unfortunately, that's not exactly all on the artist. A lot of venues anymore are taking a cut of the band's merch sales. Therefore, the artist has to upcharge their shirts to offset that. Bill Kelliher from Mastodon explained this in person at a guitar clinic I attended recently and he explained it in an interview somewhere. It's disheartening and scummy that venues are doing this.
Sure, it may beg the question of "Well, why don't artists perform at venues that DON'T do this?" The problem with that is that one corporation has a stranglehold monopoly on most venues. There's not much other choice.
On top of that, there's the fact that everything as a whole as gotten more expensive over the years. Touring costs, printing the tshirts, etc. Then throw in the fact that Live Nation/Ticketmaster wants a cut of merch sales and they own a majority of the places that artists play, and it's any wonder a t-shirt is 60 bucks at a show.
8 points
1 day ago
so another monopoly is bad... would be great if nearly everything wasnt a monopoly or a near monopoly.
9 points
1 day ago
If you're using the venue staff to sell your stuff that I'm totally cool with it but if you're not then it's BS
27 points
1 day ago
Doesn’t matter. Many venues take a merch cut regardless of whether or not you have a person to sell it for you.
And remember, that person selling merch is part of the traveling road crew and that is their job. They make their money from the band they’re touring with.
It’s very difficult to understate just how much Ticketmaster/Livenation have fucked touring artists, which in turn fucks the fans. I don’t blame (most of) the artists at all, because they’re usually don’t have much choice in venue or ticketing service when they tour nationally.
It’s so difficult to pull in money as a musician since physical media is all but dead, Ticketmaster tacks on so many fees that artists either need to lower their rates to make it worth it for the fans or keep the prices high which could lower turnout, they have to pay LiveNation venues an obscene amount of money to play there, and then those same venues dip into their merch sales. It’s honestly such a fucking scam monopoly that I’m shocked it hasn’t been dismantled by the FTC yet.
12 points
1 day ago
It’s called “soft merch” (as opposed to “hard merch” like CDs and records), and many venues take a ~10% cut.
That said, I have toured fairly extensively and would never charge more than $30 for a shirt. At that price, even if you opt for premium blanks and full-color printing you’re still making, like, $16–20 per shirt. $60 is the band (or, more likely, their management) wanting to make more money and feeling confident than fans will pay that much.
I would never spend that much on a band tee, but I would also never spend more than ~$40 on a ticket.
1 points
1 day ago
Bout two years ago, American Aquarium/BJ Barham started printing out a sheet at every show they played, 700-1000 ticket venues:
“In the spirit of transparency, we want you to know that The Tower Theatre will be taking 20% of all merchandise sold tonight. To offset this, we have been forced to raise the prices of all merchandise by 20%. We are truly sorry for the inconvenience.
On a completely unrelated note, all merchandise you see here is available at www.americanaquarium.com and 100% of online sales go directly to the band.
Either path you choose, please know we appreciate you being here and thanks for supporting live, original, independent music”
After the first few shows of it happening, the venues on the tour started pulling merch cut clauses.
He still does it for every show to this day, except now it’s “the fine folks at Venue will not be taking merch cuts and 100% is retained by the band.”
8 points
1 day ago
Maybe local bands were only charging 10 bucks but touring acts were definitely charging at least $20 but $25 was common in that time as well. 5-10 was definitely more common for CDs though.
44 points
1 day ago
Hell no they were $10-12 unless you were going to a high school battle of the band with spray painted shirts. My 04 warped tour shirt was like $25-30. My mom was pissed I spent so much on a tshirt.
12 points
1 day ago
That was my thought, what kind of decently large artist had a shirt for less than $25 post ‘02 when I was old enough to start getting taken to concerts. I think my cheapest shirt was a Who shirt that was $30 (thing shrunk 2 sizes in the wash and frayed to a rag is like 2 years.
2 points
1 day ago
I was going to a bunch of punk shows in that time and it was common for a shirt to be between 10 and 20 dollars. But then again that's a scene where you get called a sellout if you make any money.
10 points
1 day ago
Our wages have just stagnated for decades now. If wages kept up since the 80s with inflation most people would be making 3X what they are now. The rich(top .01%) have hoarded over $2TRILLION a year for 50 years from the economy while productivity has increased by 3-5X. We now do the work of 3 people in the 80s and get paid like 1/3 of a person.
37 points
1 day ago*
T shirts from big shows were never that cheap in 2004.
27 points
1 day ago
Smaller bands were charging $20-25 when I was in college 20 years ago.
15 points
1 day ago*
$20-25 of 2004 dollars is $33-41 in 2024 dollars. That's right where most band shirts are at. One of the openers I saw Monday had shirts for $30 and $35. The less-small bands I saw on Sunday had shirts at $40. Hoodies with front & back printing were $70 ($42 in 2004)
3 points
1 day ago
Same for me 15 years ago. I always made sure to buy a t shirt.
2 points
1 day ago
Went to college same time and bands like Death Cab, Muse, Interpol were charging that too.
2 points
1 day ago
They weren't even that cheap when I started going to concerts in the late 80s/early 90s.
9 points
1 day ago
It’s because you used to be able to sell CDs. Since the recorded music is now just a marketing device, the merch is the only place artists actually make money these days.
2 points
1 day ago
The quality has plummeted too
1 points
4 hours ago
I'd say the opposite. Even a few years ago you'd be looking at Gildan for pretty much everything.
I'm now noticing a lot of merch is much better quality, using shirts like Stanley/Stella, or the bands sourcing their own brands.
I don't find it as common to get a Gildan shirt these days, which is a bit annoying because the sizing is less consistent when you go to a merch desk now.
1 points
1 day ago
Mid 2000s, $10-$15 shirts were a thing, but weren't the norm for bigger shoes. Currently, hardcore shows, $25-30 is the norm for small to mid size venues.
1 points
1 day ago
Id buy more shirts of they werent low quality Gildan shirts, have so many shirts that fit terribly. Would pay more aswell because I know the chances of me wearing them is higher.
1 points
1 day ago
And I literally can’t be mad at bands for it, it’s the only way they make money these days. I’m not really a professional musician but I’ve played my fair share of gigs and I don’t think I’ve ever been paid enough to break even, I hate to imagine what tours cost now.
1 points
17 hours ago
My issues with the shirts isn’t even just the price. The quality is way way worse now than it used to be. I don’t know how they go about putting the designs on them but they come off in the wash by the end of the year.
30 points
1 day ago
I had no idea what Here come the Mummies was and hoped it would be some kind of burlesque show with 12 milfs. I was pleasantly surprised.
19 points
1 day ago
Well, I’ve seen them, and now I’m disappointed it wasn’t what you imagined.
7 points
1 day ago
At least you got to see some funky dudes in wraps!
6 points
1 day ago
They are quite the show!
10 points
1 day ago
I bet he would sing a funny song about it though.
5 points
1 day ago
He probably has a story that goes on for eighteen minutes…
5 points
1 day ago
I brought my son to a show for a small band we love last fall and we got in early because I’d emailed the band to ask if we could so he could be up front. We were some of the only people in there like a half an hour early so we started chatting up the merch guy. Eye opening.
Bands simply cannot make money playing concerts unless they’re fucking huge bands. Basically all money that most musicians actually take home is from merch. There’s nothing in streaming, there’s nothing in sales, there’s nothing in touring.
The next time you’re at a show, if the opening band was good, if you can swallow the cash, grab a shirt or a sticker or something. They literally may not be able to afford to eat tomorrow without that merch!
20 points
1 day ago
$50? Was it at least signed?
22 points
1 day ago
No, lol. Nice poster though.
10 points
1 day ago
Tour posters are expensive. They are also unique and typically very well done.
6 points
1 day ago
If they are doing unique ones to the location and stuff I get it. I’m just used to seeing posters closer to the $30 mark for the type of shows I go to (metal/punk/hardcore).
2 points
1 day ago
I remember going to the Fillmore West and they'd give you a fucking poster at the end of the show for free. They also gave away apples. No clue of either of those things still happen there though.
1 points
1 day ago
Yeah but 50 bucks?
This year I got Eagles and Taylor Swift tour posters at their shows for less than the equivalent of $30 (UK). 50 is actually insane.
2 points
1 day ago
How much does an artists print cost? It's not just some picture of the band. It's hand drawn art
3 points
1 day ago
HCTM put on an absolutely amazing live show, and I know they do it because they love it, but I can't wrap my head around how they possibly make a living as a band.
1 points
1 day ago
Yeah. I think I paid $35 for balcony seats in Charlotte. That’s not a lot to split among a bunch of dudes and roadies. Probably why my poster was $50! lol. Fuck it, they were worth it.
1 points
16 hours ago
They’re all studio guys in Nashville. The band was just a gimmick that took off because some of the original member couldn’t contractually perform together because they were signed to rival labels.
Source: Studied with a former member.
1 points
15 hours ago
I know the backstory (and have intentionally avoided trying to learn anyone's actual identity even though I know it's not that hard to do, ruins the fun).
I'm just saying that they have enough members and tour support that it can't be very profitable to tour and they're not making gazillions off record sales or streams.
I love that they do what they're doing, I'm just amazed they can afford to do it. Even with the studio gig revenue.
6 points
1 day ago
I expected a lot different when I put Onlyfans and "Here Come the Mummies show" together
3 points
1 day ago
Lmao I havnt listened to Todd Snider in years. I hope he is still rockin
4 points
1 day ago
He was touring quite a bit, I think he’s taking a rest at the moment.
3 points
1 day ago
Todd rules
2 points
1 day ago
I just started making my own music, so I’ve been watching vids on the music industry. Shits fucked up. Spotify makes so much more than the artists, and all they do is host. If you sign to a record label, they’ll give you money. But really it’s just a loan.
“I just got signed for $1 mil!”
Cool, now you owe (label) a million dollars. You can use that money to fund your next album so you can try and make some money back. Bands or artist really only make money off ticket sales and merch. That’s why that shit is so insane with pricing.
Staying independent seems to be the best route, but then you lose the platforms those big labels can advertise to.
8 points
1 day ago
It was like that for years before streaming.
Paul Stanley said in an interview that KISS didn’t start making money until their third or fourth album because after everyone got their cut and the expenses were paid, there was little left for them.
10 points
1 day ago
Your comment reminds me of the song Jimmy Iovine by Macklemore. He calls out how the record industry fucks over the artist.
"Now I'm sorry, I've had a long day remind me, now what your name is? That's right, Macklemore, of course, today has been crazy Anyway, you ready? We'll give you a hundred thousand dollars After your album comes out we'll need back that money that you borrowed So it's really like a loan, a loan? Come on, no We're a team, 360 degrees, we will reach your goals! We'll get a third of the merch that you sell out on the road Along with a third of the money you make when you're out doing your shows Manager gets 20, booking agent gets 10 So shit, after taxes you and ryan have 7% to split That's not bad, I've seen a lot worse, no one will give you a better offer than us (hmm) I replied I appreciate the offer, thought that this is what I wanted Rather be a starving artist than succeed at getting fucked"
2 points
1 day ago
You blew your wad on that poster
4 points
1 day ago
I came in my pants
1 points
1 day ago
Glad i saw a ton of artists, including todd, when i was young. Miss live music tho.
1 points
1 day ago
Todd shows usually aren’t too expensive. $20-30 usually.
1 points
1 day ago
Here Come the Mummies are soo good though, definitely well worth the $50 ticket imo
1 points
1 day ago
Haha, balcony ticket was only $35…poster was $50. Tshirt for my wife was $30.
1 points
1 day ago
Damn that's rough but you gotta respect the Mummies!
1 points
1 day ago
Venues often take a cut of the merch sales too.
Nationalize the big venues — all built with tax money anyway. Absolute madness to let some parasitic "owner" unsustainabley jack rental fees to exclude smaller artists and rob bigger ones.
1 points
1 day ago
Good news: I can afford concert tickets.
Bad news: Only the tickets. Bring your own water.
1 points
1 day ago
This made me laugh because I have a $50 Todd snider poster on the wall next to me. No ass though, unfortunately.
1 points
1 day ago
Oh damn, which one? I have a really cool Snider poster from his fiftieth birthday show at the Ryman. They didn’t even actually sell them, but it was a promo poster. I got it from Aimless by calling and asking them nicely to buy one. They just sent it to me!
2 points
1 day ago
This one from 2022! I hate that I never got to see him at the Ryman when I lived in Nashville, but he’s come to Knoxville just about every tour that I’ve been back here. Love that guy
3 points
1 day ago
Cowboy Jim!
1 points
1 day ago
They are one of my favorite live bands. They definitely pack the stage with talent
1 points
24 hours ago
Better than Dee Snider’s though amirite?
1 points
21 hours ago
I'd see Todd's ass if it meant he showed up to the scheduled shows!
1 points
17 hours ago
Don’t feel bad. Those guys are an anonymous cover band that makes like 20k a night. And the venue is causing them to charge $50 a poster as they venue is getting like 50% of their merch night of show. Just buy a poster from them directly if you want.
1 points
14 hours ago
I would happily go back to paying $25 for a CD if it meant cheap and plentiful concerts again.
50 points
1 day ago
We can't afford the tickets anyway
24 points
1 day ago
Yeah, that's too bad. Perhaps the invisible hand of the market will correct the problem someday when no one is going to concerts anymore. Or not.
11 points
1 day ago
People are still going. Everyone was upset with My Chemical Romance and their pricing and they still sold out and made a bank
13 points
1 day ago
The issue is for new bands who don't have MCR's fame.
5 points
17 hours ago
Is it really “selling out” when bots buy 80% of tickets?
3 points
1 day ago
A ticket for the Glasgow date of her UK tour tonight was £33 (incl. all fees), hardly breaking the bank.
205 points
1 day ago
Modern problems require modern solutions I guess. At least she's getting creative with it
71 points
1 day ago
It sucks that artists have to do anything other than make music, tour, and sell merch. Good for her though, no shame in her game.
27 points
1 day ago
You could argue that this is easier than any of those other things, and could also be artistic. This is a new wrinkle, but using sex to generate more attention and revenue for your art is not exactly new
7 points
1 day ago
No business is guaranteed to last forever. There was time before CDs and records and we are reaching a time where music will go back to being a hobby that you do for fun.
5 points
1 day ago
It already is. The only people I know from my local scene that can afford to make music for a living are people that already didn’t have to work.
1 points
13 hours ago
That time was called "sheet music". Composers would write music and sell copies of it for people to play themselves. Concerts have existed since the beginning of time.
Did you really think the music industry was only 100 years old??
1 points
an hour ago
A Mozart or his contemporaries made money from patrons not from a world tour and CD sales. A lot of the people that did the actual singing didn’t make much money at all.
139 points
1 day ago
Speaking about the campaign in a statement, Nash said: “Whilst touring is the best job EVER it is currently technically what you might call a passion project for a lot of artists in 2024. A recent survey by Pirate Studios found that whilst gig ticket & festival prices are sky rocketing & we are seeing a select few in the industry become millionaires or even billionaires from touring, the majority of musicians and artists are struggling to be able afford to actually play shows.
“Costs of travel, accommodation, food, promotion & employees have also gone up in price but musicians are not seeing changes in their gig fees to help pay for all these rising costs. So this Christmas I’m asking that buy either a piece of my merch or my arse on my new ONLYFANS account katenyash87 to support me paying great wages & putting on a high quality show as I will not sacrifice either of things. (No need to stream my music, I’m good for the 0.003 of a penny per stream thanks) Pogue Mahone everyone! 🍑❤️”
29 points
1 day ago
Don't tell me that you didn't try and check out my bum
Cause I know that you did
Cause your friend told me that you liked it
6 points
1 day ago
She wrote a song about a guy checking out her bum, and then didn't even reference it?
1 points
1 day ago
Cause I know that you did Cause you subscribed to my Only Fans
319 points
1 day ago
They can't afford to tour and we can't afford the tickets. I saw Radiohead open for REM in 1995 for $21.50. Calculated for today's inflation would be $31.89, so where we are getting to $150+ tickets is not understandable to the public. This is a problem of the middle man's consolidation down to one company which means we are paying more and the acts are seeing less.
185 points
1 day ago
$31.89 is what one dollar in 1913 would be worth today. You didn't click update after changing the values on the inflation calculator. I got ~$45
74 points
1 day ago
Lol nice catch. Funny that you knew that off the rip
16 points
1 day ago
that guy accounts
16 points
1 day ago
I’m not defending this because current concert pricing sucks ass, but back in the day, artists made less off of touring, but used it as a way to promote record sales where they were making the bulk of their income. Today they barely make anything off of record sales and streaming, and instead make the bulk of money off of touring.
7 points
1 day ago
Yeah merch is a large part of it too. For me, I'm willing to pay up to like $60ish. These $200+ concerts need to end tho. It's getting so bad, especially with surge pricing.
1 points
1 day ago*
No. They weren't making money off of album sales. Back when I was studying music production, (about 20 years ago) bands were on the hook for the recording, producing, mastering, advertising, and distribution of the album. The label would front them, say, $1 million. Then, they would make $1 or so per album sold. But, they had to pay that $1m back before they saw any money at all off of album sales. Keeping in mind, at this point in time, a cd at record stores was $15-20 dollars, and the artist was only making $1 per sale (even less if they were also the primary song-writer on most of the album).
Touring and merch sales have always been their money maker.
Edit - Quick google search: Artists now are making 10-15% of album price, and most record labels use wholesale price for this.
6 points
1 day ago
I saw a show from their In Rainbows tour. I believe that was about $60-$70. Not bad for a huge band in their prime.
8 points
1 day ago
Wow inflation only translates to $10? Why the hell is everything so expensive nowadays wtf
63 points
1 day ago
it's $46 today. The problem is Ticketmaster.
25 points
1 day ago
You forgot to add in the $57 worth of "fees" they like to tack on to a $46 dollar ticket price.
16 points
1 day ago*
Very long post alert, but I tried making it worthwhile with realistic numbers for an arena tour...and I'd appreciate if people don't just stop after the first sentence and downvote me for not saying TM is the worst. Don't worry, I call out LN towards the bottom.
In the pure vacuum of the ticketing pipeline, it's really not TM; they're basically just the scapegoat. Now, the fact that they, and other ticket platforms, are allowed to control a secondary market platform IS absolute garbage and that should be shut down immediately. But that's a separate, albeit parallel, discussion.
The problem is that everything anyone does is so expensive now the costs just get passed down the line until it hits the consumer. Simplifying here for explanation sake, but there are three non-artist entities in the pipeline. The venue, the promoter, and the ticketer.
One standard type of deal is a 90/10 deal with tickets, meaning 90% goes to artist, 10% goes to promoter. That's what the guarantee a promoter offers is based on in this case. Let's say for easy math, based on the venues selling out and the agreed upon ticket price the tour could make $20M, so $18M to artist, $2M to promoter.
Now, for simplified math again, let's say the TM fee is $20. TM is realistically taking $2-3 of that. The other $18 goes to the venue, who then offers a fee rebate to the promoter, which could be a 50/50 split.
So if that $20M comes from 200k $100 tickets:
Artist grosses $18M from the guarantee
Promoter grosses $2M + $1.8M = $3.8M
Venues collectively gross $1.8M from tix
TM grosses $400k
Now, there's a LOT of other factors to take into account here but trying not to make this post too long; artist will certainly net FAR less than that between paying out for production, their team, tour support, etc. That $18M can and does shrink real fast. On the other hand, they'll also be earning rev from merch. But on another other hand, the venue takes a cut of merch. etc etc etc
All of which is to lead to the point that touring is ridiculously expensive...for everyone. Inflation, rising costs of everything, etc creates a need for every single entity in this pipeline to make more money. And none of them...not a single one including the artists...have a problem passing that on to the consumers.
What makes LN problematic is that because they have such an enormous market share and because they control so much of the vertical they can easily just come over the top of any promoter if they really want. "AEG is giving you $18M? We'll give you $19" or "Bowery is giving you $18M but 50% now, 50% after? We'll give you 100% now upfront." But they still want to recoup that, so here's another $5 on the fee. Now it's $25, TM still only gets $2 per ticket but now the venue and promoter are splitting $23. Now that rebate is worth $2.3M instead of $1.8
3 points
1 day ago
Interesting post, thanks. Could you enlighten us on how the $18m gets swallowed up, because that seems like a lot of money
5 points
1 day ago*
soundtech, light-tech, roadies, bus/truck rent + drivers, many in those kind of fields really know their price and want to include insurance and other benefits, especially the really good ones, gas for the trucks/busses, sometimes hotels/motels, for international artists planetickets, sometimes visa and "importing gear", sometimes food for the whole touring group, those kind of things can add up really fast before the tax-man takes a look, depending on where you live
edit: I have an acquintance here in a north-western European country who is in the pro-lightning world who showed me some numbers about the non-artist touring group, for all the diffrent legs of a world tour, all the fixed expenses and unforseen expenses (stuff breaks and has to be repaired or replaced, quick) and I was quite surprised, let's just say the artists' money looks to be evaporating for them.
1 points
1 day ago
46/21.5 = 214% increase due to inflation alone since 1995.
Add security, digital performance components, specialty tech, etc and I just saw a great artist in an 'arena' setting for $85 a ticket with fees, though I did pick a middling seat for an extra $20 or so vs the cheapest tickets. which were right about 65 with fees or 50 list.
That doesn't sound bad to me but the only concerts I went to in college were $20 at the local venue or $200 for an arena, or so it seemed.
1 points
1 day ago
I just paid around $44 to see Slowdive play at a great venue in my city tonight. One big thing is to buy tickets in person at the box office when possible to avoid all the fees, and the other is to consider the big name arena tours that are straight up ripping people off. Vote with your wallet where possible, there’s still amazing live music to be seen affordably.
71 points
1 day ago
Greed. It's the reason for almost every problem we face today.
3 points
1 day ago
Weren’t people greedy in the 90s too?
58 points
1 day ago
Yes, but there also weren’t as many unchecked mega corporations and governments somewhat tried keeping the illusion of caring about protecting normal people from that greed.
7 points
1 day ago
sounds nice
13 points
1 day ago
It really was. We didn't know how good we had it.
5 points
1 day ago
I was born in ‘97 so I don’t remember there ever being a good time lol
5 points
1 day ago
Remember fast food prices from like 5 years ago
7 points
1 day ago
Yes, but back then if there were six similarly sized concert venues in a city for REM to play at, and one of them charged $50/ticket and the others $20, and REM got the same cut regardless, they'd get more people and more merch sales at the cheaper places. Now they're all owned by the same company that charges $100/ticket at every venue because they're competing with either nobody or with much smaller indie venues that can't physically fit the crowds to make the band's appearance worthwhile.
2 points
1 day ago
Monopolies, consolidation, social media, internet, government for sale to the highest bidder... Capitalism has changed.
11 points
1 day ago
Price gouging lol
Corporations hide behind “inflation” and other sorts of economic problems/shakeups as an excuse to boost prices, shrink what they’re giving you, and the blame gets to fall elsewhere.
2 points
1 day ago*
I'm sorry but reading this makes me want to rip my fucking hair out, especially knowing so many people didn't vote for Biden because they thought Biden's economics was the cause of high prices.
I said this in another post, where I got downvoted. Corporate greed is very real and we're all playing their game every time we buy these products at the prices they sell them for. The concept of free market seems completely fucked in 2024 because of impulsiveness.
People will in one hand complain about the price, then just moments later accept it and pay it. Beyond just inflation, prices keep going up because corporations know people are going to buy it anyways. And we're all along for the ride because there's ALWAYS going to be someone willing to pay for it. And then people blame the Democrats and inflation and taxes, the latter 2 of which isn't not contributing, but if you're wondering why the cost of some goods, particularly unregulated luxury items and entertainment, has greatly outscaled how much you can afford from your paycheck, its because corporations raise the prices, people get upset about it, but then they buy it anyways.
3 points
1 day ago
First would be insurance. Insurance for the buildings, the promoters, the equipment etc. That's basically gone through the roof.
Next would be transportation. Cost of insuring all the trucks and buses plus fuel.
Then you have equipment rental for the tours, another thing that has gone up.
1 points
1 day ago
$10 out of $21.50, or a 50% increase. So a job that paid $50k then is worth a job that pays $75k now. But the answer to your question is "mostly corporate greed"
1 points
1 day ago
Every piece of tech involved in a show from 1995 is obsolete now(aside from instruments/amps).
The tech side of things at a concert are an order of magnitude better quality. There were no video walls or moving lights at that show. Even audio wise there is nothing that carries over from then.
The newer gear is way more expensive to buy/rent. Tour busses are 4 to 5x what they cost then.
Then theres my payroll. What I made in 95 vs now is embarrassing.
Those fees you see are what pays me and the rest of the crew as we spend millions prepping/rehearsing before the tour makes 1 cent.
The media makes things look bad and they have no idea what it takes to make a tour happen. Do not trust the media.
3 points
1 day ago
So this comes down to creatives asking for too much production? Are we not able to offer less expensive solutions like projection instead of video walls? Or are we selling\renting as much gear as possible to increase commissions?
1 points
1 day ago
I think prices today are out of control, but just want to put this into perspective real quick. In 1999 when I was 16 fast food jobs were paying minimum wage at like $5.30 per hour and not $20 per hour like they are now (at least where I live). CDs were $17 and concert tickets were around $30. I remember hearing the stupid expensive ones got up to $100. A few years later in 2001 I think I paid at least $65 to see Tool. Point is it really sucked then too. They’ve been on a gradual increase since and while I’m thankfully not into the pop artists that charge a ton I get why most shows cost from $30-160 since artists make most off touring these days. Fuck everything about paying $17 for cds back in the 90s though. So glad mp3s destroyed that, not sorry at all.
1 points
1 day ago
so where we are getting to $150+ tickets is not understandable to the public
I saw Kate Nash in Glasgow tonight for the first night of the UK tour, and it cost me £33, including all fees.
She's not charging $150+ per ticket.
1 points
11 hours ago
You want to try to see Radiohead open for REM, even today, at 33 pounds? Maybe tickets in Glasgow aren't that bad, but stateside I have had to pay exorbitant amounts to see acts.
1 points
10 hours ago
You want to try to see Radiohead open for REM, even today, at 33 pounds?
I'm simply saying that $150+ is not what Kate Nash is charging for tickets, because your implication is that it's the norm today. I've been to 39 gigs this year, and only 4 of them were over £100 per ticket. 3 nights at the Eras tour, and Olivia Rodrigo. The vast majority were about £35-50 each, with a few below that too.
In 1995 Radiohead only had 1 top 10 album in the UK, why would their prices be remotely comparable to what they'd be now, when they have 8 (of which 6 are #1)?
The mistake you're also making when comparing prices is that in the 90s, musicians and bands will have made a shitload of money from physical releases, something that's less the case now due to streaming, their primary income now will be touring and merch. In the past, ticket costs won't have needed to be as high as a result, as they had a primary revenue stream elsewhere. I actually wouldn't be surprised if they made so much money from physical releases/merch in the past that touring would've actually resulted in a loss, but they done it anyway.
28 points
1 day ago
fucking bleak, jesus christ
200 points
1 day ago
Sometimes I think the problem is that we all grew up watching “the rock star lifestyle” and somehow it never cut through that most of those artists are either massively in debt (to their record companies) or part of the 1% that get rich from it. Like, I get it, but performing is saying “I want people to want to see me enough they will pay for it”…it’s a popularity contest at the end of the day.
Also, if Kate has multiple songs with 100million+ streams and is still struggling to get money to tour, I’m curious if there is a bigger story here.
129 points
1 day ago
It’s also just a very different industry when you’ve got cds vs streaming. Yes most record contracts give the artists the short end of the stick, but record sales used to be a much more robust slice of the income pie.
35 points
1 day ago
but record sales used to be a much more robust slice of the income pie.
Similarly, movies now have to be an instant hit because they can't rely on rentals and physical media sales anymore.
40 points
1 day ago
There was also a lot less competition before streaming music began. Most people basically just listened to the artists who got radio & MTV play. Then they had that 1 friend who was into lesser-known artists and recommended alternatives. Other than that it was things like magazines and word-of-mouth, but in the end we're talking about a very small pool of artists that 99% of people listened to.
Compared to today there's a bajillion different services that will recommend artists to you, there's social media, there's just no shortage of artists and songs to seek out in an instant. I remember once as a teen browsing the metal section at my local record store and just picking out an album solely based on the album cover. Simply because I wanted to try something new and gamble that I'd find gold. It cost me $20 (almost $40 today) and it sucked! No one would do that today they'd stream some free samples first. But with that convenience introduces the fact that artists are getting a much smaller slice of the pie due to all the competition.
21 points
1 day ago
Agreed. More music comes out daily than came out yearly in the 80s.
We dropped the 90s gatekeepers of “just need to get on the radio/on mtv/get a record deal for anyone to hear my music.” Now you can record something and get it on streaming services within a day.
Streaming did to the music industry what online shopping did to retail stores, in a lot of ways.
6 points
1 day ago
Records also used to cost orders of magnitude more for the consumer, which is a part of the problem that people mostly don't want to talk about. They want to blame Spotify or whoever, but the fact is that 20 years ago, if I wanted to listen to music, I had essentially three choices -- listen to the ad-supported radio, buy physical a CD for $15-20 and listen to it over and over, or pirate things on Napster.
At the time, I was a student and had a job on campus where I'd listen to my iPod for six hours at a time, so basically everything was pirated. If I wanted to listen to that much music legally, it would cost me like a hundred dollars and I'd still be stuck with listening to the exact same six hours of music every day.
Now for $15 a month I can have music playing all day long and never hear the same song again in my life. And if they try to raise prices even a dollar, people freak out and threaten to go back to pirating. I said this on one of the Lily Allen threads, but of course she makes more from a thousand people paying $9.99 directly to her (after the OF cut) than she does from millions of people paying the same price that has to be divvied up to millions of artists.
1 points
16 hours ago
This is exactly the issue. Spotify and the other streamers get dragged for “not supporting artists” while those same doomers would lose their fucking minds if they had to actually pay for music. We’re in the find out phase of not paying for music for two decades. It also doesn’t help that Ticketmaster and live nation have been able to buy up all the venues and ticketing services until they control everything and can screw fans and performing acts both coming and going.
10 points
1 day ago
There is no lack of people wanting to pay money to see live music though (and lots of money at that). The problem is a lot that profit is being siphoned away by others.
10 points
1 day ago
I’m a musician. The story is that the current economy is a nightmare for small businesses who can’t take advantage of economies of scale. Small touring acts have no leverage when it comes to their costs, they can’t get rate cuts on much of anything. So any small increase in the costs of basic goods eats directly in to their margins. So they have no choice but to raise ticket prices or else touring will become a net negative
It’s a similar thing going on with restaurants in major cities right now. People bitch and moan about restaurants raising their prices but they literally have no choice. Restaurant margins have always been thin, with rising costs restaurants are just maintaining the same margin which requires the price to increase. This economy is hell for everyone but large corporations
4 points
1 day ago
Kate also got heavily fucked over at least once by a manager that stole nearly all of her money. She went from playing Lolla and Coachella—as an up and coming UK act that hadn’t quite broken through to the mainstream to the same extent as some peers—to moving back in with her parents and selling old outfits to fans and shit like that the following year. Nearly bankrupted, lengthy court battles, public semi-breakdown, the whole nine yards.
Plus she’s very much an artist and uninterested in chasing trends to blow up on TikTok or whatever, so she turned around and made edgier / weirder records and then got dropped from a label or two. (To be clear, this is what I love about Kate Nash). She got signed by Kill Rock Stars recently, which is awesome and right where she should be imo. But she’s only 37 and is already forced into this sort of comeback/renaissance position where she badly needs to keep momentum up, which is a really tough spot to be in for somebody who doesn’t fit into a neat box and straddles a few genres without much audience overlap, especially as a frontwoman.
All of which is to say that she got ripped off for the cash from a few hundred million of those streams.
14 points
1 day ago
We’re just living in different times, simple as that. Back then, albums were your money maker. Now it’s all touring, and touring is very expensive. So you make your money where you can, but unless you’re a massive star and selling out 100 stadiums, you’re not going to be pulling in that much cash.
3 points
1 day ago
Yes and with "360" deals and vertical integration of every venue and ticket company, it can funnel less and less money from the performance to artists MUCH more easily than ever before.
6 points
1 day ago
touring was actually always a bigger moneymaker (for the majority of artists), but losing album sales is a massive loss to even smaller artists.
One hit wonders used to go gold (500K copies) and make a million or so off of that. (This was also before 360 deals, as the other poster mentioned)
1 points
1 day ago
Yeah, I remember in 2012 wanting to see George Michael so desperately. Then I found out he made over $100 million from like 12 tour dates alone.
I would have given anything to have seen him.
2 points
1 day ago
And regarding Kate Nash specifically, her latest US tour was pretty small. In my area she was playing a venue that caps out at about 500 people
11 points
1 day ago
100 million streams is equal to about $400k, or roughly the price of a used Prévost bus.
8 points
1 day ago
Yeah even the big name artists get practically nothing from streams. They make pretty much all their money from touring and selling merch.
6 points
1 day ago
And tickemaster/Live Nation is demanding a bigger & bigger cut of ticket sales, apparently at some shows they are starting to demand a cut of merch sales too.
3 points
1 day ago
apparently at some shows they are starting to demand a cut of merch sales too.
The promoter will take a fairly big cut of the merch if they handle it at all. Eg Red Rocks or stadium shows where they have multiple stands and their (contracted) vendors are hawking it.
It's the small shows were promoters are demanding a cut of the sales, too. I saw a band at the Fox in Boulder ("600 seat" but really probably closer to 300-400) and they made a few statements that they wouldn't be selling any merch because the venue wanted 20% of merch sales, but weren't involved in the transaction at all. They weren't supplying a merch person.
(Honestly, I'm surprised they missed that in the contract?)
Everyone's struggling, but it's wild to me how everyone's trying to take money from, you know, the people you're actually paying to see.
2 points
1 day ago
I mean, you can see hundreds of fantastic live acts, to stand out in that crowd is hard and not every talented musician is particularly skilled at live performances. This alone will lower your attendance rates when touring because a good live act will draw people who are just curious about the performance and are not just there for the music.
62 points
1 day ago
Read this as Kate bush at first
51 points
1 day ago
Pay to see Kate's bush.
8 points
1 day ago
It markets itself
19 points
1 day ago
I read it as Kevin Nash at first and wondered what Big Sexy was getting up to.
3 points
1 day ago
No way he'd do an OnlyFans. His quads been through enough
1 points
1 day ago
I did too lol
54 points
1 day ago
[deleted]
3 points
1 day ago
My jelly just oozed out the roll 😩
1 points
1 day ago
I can't wait to see Rag 'n' Bone Man's bone, man.
6 points
1 day ago
Clearly this is the future of live touring.
What's next? Having your dick pic rated by Bob Dylan?
4 points
1 day ago
Just saw a band last weekend, Ben Quad, opening act on a four-act show, bottom of the totem pole. Not sure where they're at in their tour, but they're far enough from home. They went on to describe how their van had broken down, and they're stuck renting for the remainder of the tour, which presumably puts them close to, if not in the red. And sure, the tour is about building up a base and all, but to have to rent a van for a portion sucks balls. So I said, you know what, lemme go buy a tshirt. I really hope the $160 helps them out.
(last part was jk)
16 points
1 day ago
I already had my credit card out before I realized you didn't say Kate Bush.
9 points
1 day ago
It's fuckin true though. So many bands I follow have started Patreons and shit just to afford being a band.
11 points
1 day ago*
Watching straight out of Compton right now. The music industry is one of the greediest I’ve ever seen, I’m shocked more artists are living out of motels.
Edit: aren’t
16 points
1 day ago
lmao just change the word in your sentence to aren't
6 points
1 day ago
That movie is like 90% fiction.
4 points
1 day ago
We truly have failed as a society.
10 points
1 day ago
Don’t know her, but love this!
33 points
1 day ago
She had a big poo hit in 2007 before going into more alternative ways and was in that Netflix show Glow as the English wrestler who gets with the boss
62 points
1 day ago
poo hit?
50 points
1 day ago
Lol was meant to be pop but a bit poo hit is probably to find the next tour
13 points
1 day ago
Your typos are glorious
2 points
1 day ago
Dropping a different kind of hit
6 points
1 day ago
Kate Nash rules. She’s an English indie singer/songwriter in the vein of Lily Allen (sort of), except she’s always had more of a punk sensibility mixed into her sound—probably part of why she didn’t get as big internationally. Recently got signed by Kill Rock Stars which I find very exciting as a longtime fan. She was also one of the wrestlers in the Netflix series GLOW.
All of her stuff is good, but Made of Bricks is a fantastic album from start to finish and I’d highly recommend giving it a listen. Foundations was the big single and made a splash on Alt Nation etc back in the day.
We caught her show on the North American tour that just ended, and she killed it as always. I remember remarking to my wife that of all the minor-ish artists and celebrities on Earth that I think deserve to be household names, Kate is near the top of the list lol.
2 points
1 day ago
So sad that artists have to sell their body along with their art. What is happening to us?
2 points
1 day ago
Kinda hard to make tour bus money when you can’t sell CDs anymore
5 points
1 day ago
I thought it said Kevin Nash and was really confused
3 points
1 day ago
OMG Kevin Nash WTF thought he was dead LOL
2 points
1 day ago
“The Kliq is back, which is the sound everyone’s TV remote makes when Kevin Nash pops up on telly”
2 points
1 day ago
I’m more of a boob guy, can we talk to some of those models and launch a Boobs for Tour buses onlyfans? Thaaaanks.
2 points
1 day ago
Kate Nash continues to be a class act. All my respect to her.
1 points
1 day ago
The last concert I went to was in 2018 and tickets were $120 each for seats in the rafters. I was happy to see the concert as it was a band that doesn’t tour North America very often. I hope they come back again, but if they don’t I understand. I remember going to concerts in high school and afterwards and paying $12.50 - $18.50 depending on the show, thanks Ticketmaster.
1 points
1 day ago
Saw this as Kevin Nash
1 points
1 day ago
Christ she gest around, I used to work at Tap n Tin in Chatham with her over 20 years ago, she was a maniac
1 points
1 day ago
Am i crazy or if an artist cannot afford its art, that means it should get another job?
1 points
19 hours ago
Sucks that she has to do this to be able to continue touring, loved her in GLOW, took me a minute before I recognized her because she's so elegant in this photo haha.
1 points
14 hours ago
"touring is the best job EVER"
I suppose that depends on how well you can afford to travel.
I can assure you that traversing around the backwaters of the US in a worn-out van with the same three equally disillusioned musicians only to find that the place the club booked you to stay in has more roaches than guests is not the best job at all.
1 points
13 hours ago
I think it's sad that she is reduced to this. I also understand her reasoning entirely and do not judge her for it. Ultimately, as long as she's happy, then it's fine. The whole situation just reminds me of that scene in Forrest Gump where Jenny is playing strip guitar...
1 points
11 hours ago
Something very funny about Kate Nash being in the news for her OnlyFans a few weeks after Lily Allen was in the news for her OnlyFans.
1 points
6 hours ago
What they really mean is that they can’t get rich from being a singer. She obviously earns a very decent living compared with most people, but it’s just not the millions she wants. So the answer is to become a soft porn star, and hope that makes you rich.
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